The artist is Glebov
T. N. Glebova took violin lessons at and. A. Braudo. In 1935 a portrait and. A. Braudo was written by a close friend of Glebova a. AND. Torn. Glebova repeatedly wrote Braudo in the 1930s and 1940s, she often turned to a self-portrait, in this work the artist connected both. The composition of the solemn uprising, serious faces with tightly compressed lips, the artistic costume of the musician and the brush in the hands of the artist emphasize the importance of the fixed moment, turning the stopped moment into a timeless category. (A. L.). Russian portrait. XX century: St. Petersburg, 2001. WITH. 235.
Braudo Isai Aleksandrovich (1896–1970) – organist, pianist, teacher, musicologist. Honored Artist of the RSFSR (1957). Professor of the Leningrad Conservatory. Russian portrait. XX century: St. Petersburg, 2001. WITH. 235.
Glebova, in principle, wrote portraits of only well -known people who are close in spirit. She wrote browno repeatedly in the 1930s and in the 1940s; Close friend Glebova Artist A. Porn in 1935 also wrote a portrait of a great musician. However, in this work, Glebov, who often turned to his own image, connected a self -portrait and a portrait. The composition of the solemn uprising, serious faces with tightly compressed lips, an artistic costume of brows and a brush in Glebova’s hand are designed to emphasize the importance of a fixed moment. The picture gives special drama to the picture a stressful flavor designed to convey the spiritual state of the depicted. It is known that Glebova took the Trudo violin lessons and, at his insistence, stopped them, according to Porut, she was ‚,In captivity “At your teacher. Perhaps, with a similar double portrait, symbolizing her talent, Glebova tried to overcome her dependence, and the brush in her hand indicates a conscious choice of the artist’s path.
Braudo Isai Aleksandrovich (1896-1970)-organist, pianist, teacher, musicologist. Professor of the Leningrad Conservatory. Honored Artist of the RSFSR (1957). Read more about and.A.Braudo in the online project "House in the section".
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Multimedia online project "House in the section"
The site is dedicated to the mysterious canvas “House in the context”, which was written in 1931 by Tatyana Glebova and Alice Porus and is stored in the collection of the Yaroslavl Art Museum.
